New Writing at Theatre in the Round (1955 - 2009)In 1955, the theatre pioneer Stephen Joseph opened Theatre in the Round at the Library Theatre in Scarborough. At the time, much of the attention was focused on its theatre-in-the-round staging - practically unique, certainly in professional theatre, in the UK during that period.
Yet whilst championing new theatre forms such as in-the-round was undoubtedly an essential part of Stephen Joseph's aims, just as important to him was the championing of new writing and new writers. It was on these foundations Theatre in the Round at the Library Theatre was created, to promote new theatre forms and new writing. In context, the in-the-round format was also a cost-effective way of staging new plays by new and rising playwrights.
It is remarkable to consider that a small regional theatre was opened with this remit a full year before the Royal Court would open in London, which is largely considered the first British modern theatre dedicated to encouraging new writing.
In its inaugural season in 1955, Stephen Joseph unveiled a season of four plays at Theatre in the Round at the Library Theatre, all of which were new and all of which were written by new writers. Often over-looked is the fact three of the four writers were also female; highly unusual for the time. A glance over the Royal Court’s history confirms a paucity of female writing talent in the early years. Stephen looked to encourage talent wherever he found it and after his death, his successor Alan Ayckbourn embraced the legacy and placed it at the heart of the company.
This also typified Stephen's desire to encourage anyone to write - no matter their sex or age - producing a remarkably eclectic range of playwrights during Stephen Joseph's tenure as Artistic Director of the venue. New writing was always been at the heart of the Scarborough company during the tenures of Stephen Joseph and Alan Ayckbourn as Artistic Directors and from 1955 to 2009, when Alan Ayckbourn stepped down as the Artistic Director of the company, it could be regarded as nothing but a new writing company.
The most obvious achievement of Stephen’s policy was the discovery and encouragement of Alan Ayckbourn, who became one of the world’s most successful and popular playwrights. However, the new writing policy helped launch the career of many notable writers and saw the premiere of plays by more established writers.
Between 1955 and 2009, writers such as Torben Betts, Vanessa Brooks, Ben Brown, David Campton, David Cregan, Tim Firth, John Godber, Susan Hill, Vicky Ireland, Laurence Marks and Maurice Gran, Ged McKenna, Stephen Mallatratt, Sarah Phelps, Alan Plater, James Saunders, Robert Shearman, Mike Stott, Brian Thompson, Peter Tinniswood and Nick Warburton have all had world premieres in Scarborough; many of them have had their writing careers launched or had important early successes such as Tim Firth and Ben Brown.
Between 14 July 1955 and 31 March 2009, the company staged 549 plays of which 283 were new plays.
New Writing Facts
at the Library Theatre
Years: 14/07/1955 - 11/09/1976
World Premieres: 77
Total Plays: 159
in the Round
Years: 26/10/1976 - 03/02/1996
World Premieres: 106
Total Plays: 233
Years: 24/04/1996 - 31/03/2009
World Premieres: 100
Total Plays: 157
Marks & Gran